In July 2014, the Friends of Delaware’s King Gambrinus Statue (FDGS) came into possession of the 60 plus original pieces of the sculpture. Unfortunately, several pieces of the statue were destroyed beyond repair or are otherwise missing, a result of the statue being dropped in 1978.
Condition of the statue, July 2014
In 2014, Dr. Carol Grissom, Senior Objects Conservator at the Smithsonian Museum Conservation Institute and author of Zinc Sculpture in America, 1850-1950, evaluated the pieces and confirmed that complete restoration of the sculpture was possible. Subsequently, two nationally recognized conservation firms provided preliminary estimates for restoration to aid with establishing an approximate fundraising target.
FDGS developed a phasing plan to tackle the publicly funded Restore the King project and has successfully completed several phases.
During Phase 1 in 2018, a volunteer museum professional cataloged and provided a condition assessment for each of the statue’s remaining pieces.
Cataloging sample, 2018
Phase 2 of the project involved laser scanning of an existing Fiske-designed Gambrinus statue and creation of a complete 3D model (Model #1). Direct Dimensions completed this phase in 2020.
Model #1 – front & back
In 2022, FDGS partnered with the Winterthur/University of Delaware Art Program in Art Conservation to complete for the project’s next phase. Phase 3 work entailed 3D laser scanning the sculpture’s existing pieces and developing a partial 3D model (Model #2) containing those pieces.
Model #2 of existing pieces
Phases 4 & 5 will involve a detailed comparative analysis between Models #1 and #2 to identify the missing sculpture parts to be recreated as part of the next phase. Restoration work will begin with the missing pieces will be recast or recreated based on the 3D model. The new and existing pieces will be fused together over top a newly created skeletal support framework.
In Phase 6, the completed sculpture will be painted to match the colors of the original Delaware statue.
Finally, during Phase 7, a sturdy and aesthetically appropriate base and interpretive history display will be created and installed at the museum destination. Finally, in Phase 8, the restored sculpture will be delivered and installed in the museum for public presentation.
Museum installation rendering (artist: Abby McCloud)
Thank you to the following project partners: